Friday, 17 February 2023

A Silver Dutch? Filigree Box with Cypher formerly with Peter Cameron and another related box.


Post Updated 21 October 2023.


An 18th Century Dutch Silver Filigree Box.

With unidentified cypher on the lid.

Formerly with dealer London dealer Peter Cameron.

 https://petercameronantiquesilver.com/product/an-18th-century-dutch-filigree-box/

He says Dutch.


I am very grateful to Peter Cameron for allowing me to use his images.

Both of the round boxes illustrated here form part of a group of silver filigree objects where the fine double twisted silver wire elements are set back from a frame work of rectangular section silver wire.

I have posted on the subject of objects made with similar techniques

see - https://antiqueeuropeanfiligree.blogspot.com/2023/04/t-he-dullaert-art-and-antiques-17t

h.html

see several possibly related examples below.






















Diam 5.8cms.


 https://petercameronantiquesilver.com/product/an-18th-century-dutch-filigree-box/


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A Possibly Related Filigree box with Unidentified Silver Gilt Cypher.

I suspect that the covering of the cypher is rock crystal.

Diameter: 12cm, height: 5.3cm.

With London Dealer Michael Backman.


https://www.michaelbackmanltd.com/object/very-fine-dutch-colonial-filigree-box-with-gilded-royal-monogram/


























I remain to be convinced of the Batavian attribution.

The following adapted from Michael Backmans website -

Michael Backman on his website suggests that the similarity in formulation and the presence of the crown with that on the writing box of William III in the Hermitage Collection suggests that this box also was made for a member of the House of Orange-Nassau.

"The box is stamped with the ‘crowned V’ mark used by the Dutch authorities between 1814-1893 as a duty mark on foreign-made silver. This is important and adds further evidence as to the provenance of this box, ie that it most probably was made in the colonies of Dutch East Indies.

 The filigree work on this box suggests that it has come from or been made by an artisan who came from Sumatra. Such filigree work was known in Batavia at the time as ‘Westcust werk’ (Veenendaal, 1995, p. 88).

I have attempted to conmake contact with Jan Veenendaal but have yet to hear back from him.

Refs -

Haags Gemeentemuseum, V.O.C. – Zilver: Zilver uit de periode van de Verenigde Oostinische Compagnie 17de en 18de eeuw, 1983.

Piotrovsky, M. et al, Silver: Wonders from the East – Filigree of the Tsars, Lund Humphries/Hermitage Amsterdam, 2006.

Tchakaloff, T.N. et al, La Route des Indes – Les Indes et L’Europe: Echanges Artistiques et Heritage Commun 1650-1850, Somagy Editions d’Art, 1998.

Voskuil-Groenewegen, S.M. et al, Zilver uit de tijd van de Verenigde Oostindische Compagnie, Waanders Uitgevers, 1998.

Zandvlieyt, K. et al, The Dutch Encounter with Asia 1600-1950, Rijksmuseum Amsterdam, 2002."


Once again grateful thanks to Michael Backman for permission to use his photographs.

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Illustrated below  are a group of silver filigree caskets where the fine double twisted silver wire elements are set back from a frame work of rectangular section silver wire.


It might, at some point in the future, be instructive to compare the different types of hinges employed in the various caskets.

For example ehe Khalili casket uses a type of hinge cover decoration which appears on several other caskets.



An Octagonal Casket formerly with London Dealer Michael Backman.

Length: 12.5cm height: 7cm, width: 11cms.


The little embossed / repousse boss on the flower in the centre of the lid appears occasionally on other (German) pieces - The Silver Gilt, Silver Filigree and Boulle work Toilet Mirror is an example. I will be posting on this mirror in due course.































I am very grateful to Michael Backman for allowing me to use his photographs.

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The 17th/18th Century Fries Museum Silver Filigree Casket.

Included here as an example of an object made with similar techniques to the boxes illustrated above -

the smaller filigree elements set back from the rectangular elements that make up the framing.

Adapted as a tea caddy in the late 18th century.

Dutch Late 17th/ Early 18th Century.

Fries Museum, Leeuwarden, Netherlands. - From the Collection Royal Frisian Society.
























Object number - Z1939-257

 Fries Museum, Leeuwarden - Collection Koninklijk Fries Genootschap.

Probably mid / late 17th Century.

This casket was converted into a tea caddy with two boxes in the late 18th Century.

I suspect that the hinges were changed at the same time - there is what looks suspiciously like a keyhole on the back. 

Width: 10.9 cm height: 13.5 cm, length: 16.8 cms.

Bears the mark of Jan Buysen (1747 - 1813) of Amsterdam.

https://collectie.friesmuseum.nl/?diw-id=tresoar_friesmuseum_Z1939-257


For a brief biog of Buysen. see also https://rkd.nl/nl/explore/artists/358044?langen=


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The Dullaert Art and Antiques 17th Century Shallow Domed Top Silver Filigree Casket or Knottekistje. 

(The Traditional Dutch Wedding Casket).











10.5 x 8 x 6.5 cms


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Silver Filigree Casket in the Collection of the City of Genoa.

Height  11.8 cms. Width  20.2 cms. Depth 15 cms.

Lined in white satin with handles on the sides.




In 1848, as reported in the study on Santa Maria di Nazareth (Tomaini P./ Rossignotti A. 1975, p. 254) the institution had to resort to a loan to pay for the new Collegiate organ , and pledge "..a small silver box worked with grain thread containing a small chalice with its paten weighing four and a half pounds". In 1852, the loan covered, the objects returned to the Collegiate. 


The casket contains a silver chalice with paten (see entries nos. 14434 and 14434A).



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The British Museum Silver Filigree Casket.

I believe closely related to the Dullaerts casket above.

The tulip finial is perhaps instructive - Dutch?

The rope twist elements making up the frame are very unusual in this sort of casket.




















15.2 x 7.7 cms.

Previously with Messrs Spink & Sons Ltd described by them as circa 1665.

Hall Grundy Collection. 1974.





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