Tuesday 31 January 2023

The Silver Filigree Wild Men - Wilder Mann, at the Herzog Anton Ulrich Museum.

 



The 17th /18th Century German Silver Filigree Wild Men - 

Wilder Mann.

at the Herzog Anton Ulrich Museum, Braunschweig.







 Herzog Anton Ulrich Museum, Braunschweig inventory no. Kos 364 and Kos 366.











Height (with base) 25.5 cm, (without base) 20.5 cm.

 

After: The Treasures of the Renaissance and the Baroque. Precious works of art from Kunstkammer of the Dukes of Brunswick-Lüneburg from the House of Wolfenbüttel, edit. by Rudolf-Alexander Schütte, Braunschweig 1997, p. 42, cat. no. 11.1 and 11.3.


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I have contacted the Herzog Anton Ulrich Museum and hope to have more information about these remarkable pieces in due course.

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Information here from -


https://www.rdklabor.de/wiki/Datei:1._H._18._Jahrhundert,_wilde_M%C3%A4nner.jpg#filelinks


https://www.rdklabor.de/wiki/Wilde_Leute


Whilst this blog and my interest is in the main an intellectual exercise

 - of all the objects displayed in the blog I would like to own this fantastic pair of figures.





The Silver Filigree Horse.












Hardstone Tazza with Filigree Foot in the Prado Museum, Madrid.

 

Hardstone Tazza with Filigree Foot in the Prado Museum, Madrid.
17th Century.

Silver Gilt Filigree and Jaspar.






Height 5 cms Width 15.5 cms.





https://www.museodelprado.es/en/the-collection/art-work/boat-shaped-tazza-with-a-filigree-foot/d5a13687-584d-4cab-a4b1-5c72dadefd86?searchid=9e890f06-130e-95ea-8b83-85734dad10ae

Early 18th Century Silver Filigree Crucifix Pendant with Miniature Portraits including Charles I - and another pendant with Portrait Relief of Charles I, British Museum.


Two Silver Filigree Pendants with Portraits of Charles I.

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 Early 18th Century English Silver Filigree Crucifix Pendant 

with Miniature Portraits.

British Museum. 

The Miniature portrait at the top is no doubt Charles I but the others are less obvious.

The BM suggests William and Mary, George I and George II and Queen Anne.

this seems an unlikely combination - I wonder if there are Jacobite connections here

The makers mark on the back is TC but there are no 18th century silversmiths (working in London) who fit.




















Width 4.9cms

https://www.britishmuseum.org/collection/object/H_1978-1002-1200


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17th Century Silver Filigree and Rock Crystal Pedant.

British Museum.





























Height 8.4 cms.

Provenance: Asprey & Co, 166 New Bond Street, London W1. 

Original invoice for £310 to Anne Hull Grundy dated 22.2.1973, described as 'Gold heart-shaped pendant inset with portrait of Charles 1'. Also an invoice from S J Phillips for £780 to Anne Hull Grundy dated 12.5.1977, described as 'Antique filigree heart shape crystal pendant'.

Images here from.

https://www.britishmuseum.org/collection/object/H_1978-1002-1206

Some 17th/ 18th Century Filigree Watch Cases.

 


Some 17th/ 18th Century Filigree Watch Cases.

The style and techniques of the filigree used on these watch cases give an indication of the filigree work employed in the towns of manufacture at the time of their construction.

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Silver Filigree and Silver Gilt Case.

Movement signed Etienne Le Noir, Paris.

C. 1760.

Previously with Messrs Dekker of Amsterdam.

I am not aware of any other silver filigree cased watches by this famous family of makers of very high quality clocks and watches.


















Diam 11.5 cms.

These large watches are usually described as Coach Watches.

https://www.dekkerantiquairs.nl/en/watches/coach-watch-3272.html

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Watch and Pair Case.

Matthys Bockels of Haerlm (Haarlem), Netherlands.

The case was almost certainly made by another specialist craftsman.

c. 1640.

Victoria and Albert Museum.































An important piece for establishing Mid 17th Century Netherland filigree styles.



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Gold Filigree Cased Watch. 

London.

c.1640?

Formerly with dealers Pieces of Time.

























As I know nothing of the intricacies of Watch and Clock manufacture I will quote directly from the website of Messrs Pieces of Time.


  "The watch would probably have been worn with the filigree case lined in richly coloured silk to match the owners attire.  

The cases originally housed a pre-balance spring verge.  This has been replaced with a purpose made movement in about 1740 by Conyers Dunlop, an eminent maker of the period.  At the same time a new dial, hands, gold pendant and protective outer case were fitted.  The outer was almost certainly a replacement for a plain, pressed leather case which had protected the decorative filigree work for a century.  It is unusual for a movement to be replaced in order to extend the life of a watch.  More commonly a new case is fitted to the movement as this was the more valuable part".



https://www.antique-watch.com/product/rare-17th-century-gold-filigree-watch/


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Benjamin Hill. fl 1640 - 1670.

Fleet Street, London.

Watchmaker. Member of the Blacksmiths' Company who became a Free Brother in the Clockmakers' Company in 1640. He was Assistant in 1651, Warden in 1652 and Master of the Company in 1657.

British Museum.




















Size - 3.43 cms - Max Diam.


https://www.britishmuseum.org/collection/object/H_1888-1201-225

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Samuel Betts (active 1648 - 1674)

Pair cased watch in Silver Filigree Case.

1665 - 1670.

Lombard Street, London.





















British Museum.

5.13 cms Max Diam.

https://www.britishmuseum.org/collection/object/H_1958-1201-2318



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17th Century Gold Filigree and Steel Watch Case.

The Mid 18th Century Movement is a replacement by B Chance?.








33.4 mm diam.

I suspect that the case is French but further research is needed.

Image and info from.

https://www.britishmuseum.org/collection/object/H_1874-1103-1


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17th /18th Century Silver Filigree Pair Cased Verge Watch. 

Joseph Windmills (1640 - 1724).

The case attributed by the BM to Cuthbert Weaver.











Outside Diam. 4.65 cms.


1672 - 75.

Inscription : CW [inner case].

Inscription note: CW believed to be Cuthbert Weaver. This is noted by Philip Priestley as being the earliest maker's punch known on a silver watch case.



Watch case maker Cuthbert Weaver. Apprenticed to George Nau (dates unknown). Admitted to Clockmaker's Company in 1682. Dead by 1698.

Philip Priestley suggests his mark probably CW.


Philip T. Priestley, 'Early watch case makers of England 1631 to 1720', pub. 2000

Loomes, , ‘Watchmakers and Clockmakers of the World, Complete 21st Century Edition’. Pub. N.A.G.Press, 2006.Height (with base) 25.5 cm, (without base) 20.5 cm. 

Images and information above from:             


https://www.britishmuseum.org/collection/object/H_1958-1201-2296

For the Windmills father and son see - Neale, J.A.: "Joseph and Thomas Windmills Clock and Watch Makers 1671 - 1737", 1999.


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A similar watch case of gold filigree is perhaps that in the National Museum of Scotland.

This certainly seems to be by the same hand as the Windmills watch case above



I can find no further reference to this watchcase and details will need to be confirmed.


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